THE CHALLENGE:
CREATE A PROPOSAL FROM WHICH A PERSONAL THEM WILL BE DEVELOPED. THE THEME WILL BE USED TO CREATE A SUBJECT MATTER OF 5 WORKS OF ART.
CREATE A PROPOSAL FROM WHICH A PERSONAL THEM WILL BE DEVELOPED. THE THEME WILL BE USED TO CREATE A SUBJECT MATTER OF 5 WORKS OF ART.
IDEAS AND CONCEPTS:
10 YEARS OF FMSS.
· DRAWING IMAGES OF THE SCHOOL BUILDING AND HOW IT HAS CHANGED OVER THE YEAR
· USING SCRATCHBOARD OR WATERCOLOR
· GRADUATING 2014 CLASS (IMAGES THAT SYMBOLIZE MY SUCCESSES)
10 YEARS OF FMSS.
· DRAWING IMAGES OF THE SCHOOL BUILDING AND HOW IT HAS CHANGED OVER THE YEAR
· USING SCRATCHBOARD OR WATERCOLOR
· GRADUATING 2014 CLASS (IMAGES THAT SYMBOLIZE MY SUCCESSES)
ICE SCULPTURE AND CARVING
· MELTING ICE VIDEO
· CARVING IMAGES ON BLOCKS OF ICE
· USING ICE AS A MEDIUM TO SYMBOLIZE HOW “LIFE GOES BY FAST” BY ICE MELTING
· MELTING ICE VIDEO
· CARVING IMAGES ON BLOCKS OF ICE
· USING ICE AS A MEDIUM TO SYMBOLIZE HOW “LIFE GOES BY FAST” BY ICE MELTING
SELF PORTRAIT
· TIM BURTON STYLE OF DRAWING
· COLORFUL PAINTING
· SCRATCHBOARD, PEN AND INK, PAINTING
· USING THE ART LIST OF COMPOSITIONAL TECHNIQUES
· TIM BURTON STYLE OF DRAWING
· COLORFUL PAINTING
· SCRATCHBOARD, PEN AND INK, PAINTING
· USING THE ART LIST OF COMPOSITIONAL TECHNIQUES
LANDSCAPE
· EXPLORE DIFFERENT LANDSCAPE AROUND THE WORLD.
· CULTURE AND DIFFERENT ERAS
· PAINTING, SCRATCHBOARD, PEN AND INK, ETC.
· FAMOUS COUNTRIES/CULTURE STRUCTURE.
· EXPLORE DIFFERENT LANDSCAPE AROUND THE WORLD.
· CULTURE AND DIFFERENT ERAS
· PAINTING, SCRATCHBOARD, PEN AND INK, ETC.
· FAMOUS COUNTRIES/CULTURE STRUCTURE.
TECHNOLOGY
· USING LEDS AND PROGRAMMING A 8X8X8 LED CUBE TO CREATE IMAGES
· SLOW MOTION/STOP MOTION
· MAYA AND REVIT.
· ROBOT CAR PAINTING/DRAWING
· USING LEDS AND PROGRAMMING A 8X8X8 LED CUBE TO CREATE IMAGES
· SLOW MOTION/STOP MOTION
· MAYA AND REVIT.
· ROBOT CAR PAINTING/DRAWING
MEDIA, SKILLS AND TECHNIQUES
· PAINTING (ACRYLIC, WATERCOLOR, INK)
· PEN AND INK
· SCRATCHBOARD
· DRAWING/SKETCHING
· DIGITAL - LED PROGRAMMING
· ONLINE 3D MODELS
· PERSPECTIVE DRAWING
· WOOD BURNING
· ICE SCULPTURE
· GRAFFITI
· OIL PAINTING
· ORIGAMI
· PAINTING (ACRYLIC, WATERCOLOR, INK)
· PEN AND INK
· SCRATCHBOARD
· DRAWING/SKETCHING
· DIGITAL - LED PROGRAMMING
· ONLINE 3D MODELS
· PERSPECTIVE DRAWING
· WOOD BURNING
· ICE SCULPTURE
· GRAFFITI
· OIL PAINTING
· ORIGAMI
HISTORICAL ERAS:
1. RENAISSANCE ERA
· A LOT OF BRIGHT COLORS.
· A LOT OF DETAILS
· SYMBOLISM (RICH AND VALUABLE – SHOWING CLASS)
· SCULPTURE OF HUMAN FIGURE
THIS ERA IS IMPORTANT BECAUSE THE OVERALL STRUCTURE DURING THE RENAISSANCE ERA IS AMAZING AND WELL DETAILED. I COULD USE COMPUTER PROGRAMS (MAYA OR REVIT) TO DESIGN AND CONSTRUCT MY OWN BUILDING. I COULD ALSO USE THE BRIGHT RICH COLOR FOR SELF PORTRAIT PAINTING OR LANDSCAPE PAINTING. LOTS OF COLORS AND IT ALLOWS ME TO PLAY AROUND WITH THEM. AS A CULTURAL MOVEMENT, IT ENCOMPASSED A REVIVAL OF LEARNING BASED ON CLASSICAL SOURCES, THE DEVELOPMENT OF LINEAR PERSPECTIVE IN PAINTING, AND GRADUAL BUT WIDESPREAD EDUCATIONAL REFORM. ONE OF THE DISTINGUISHING FEATURES OF RENAISSANCE ART WAS ITS DEVELOPMENT OF HIGHLY REALISTIC LINEAR PERSPECTIVE. THE UPHEAVALS OCCURRING IN THE ARTS AND HUMANITIES WERE MIRRORED BY A DYNAMIC PERIOD OF CHANGE IN THE SCIENCES.
1. RENAISSANCE ERA
· A LOT OF BRIGHT COLORS.
· A LOT OF DETAILS
· SYMBOLISM (RICH AND VALUABLE – SHOWING CLASS)
· SCULPTURE OF HUMAN FIGURE
THIS ERA IS IMPORTANT BECAUSE THE OVERALL STRUCTURE DURING THE RENAISSANCE ERA IS AMAZING AND WELL DETAILED. I COULD USE COMPUTER PROGRAMS (MAYA OR REVIT) TO DESIGN AND CONSTRUCT MY OWN BUILDING. I COULD ALSO USE THE BRIGHT RICH COLOR FOR SELF PORTRAIT PAINTING OR LANDSCAPE PAINTING. LOTS OF COLORS AND IT ALLOWS ME TO PLAY AROUND WITH THEM. AS A CULTURAL MOVEMENT, IT ENCOMPASSED A REVIVAL OF LEARNING BASED ON CLASSICAL SOURCES, THE DEVELOPMENT OF LINEAR PERSPECTIVE IN PAINTING, AND GRADUAL BUT WIDESPREAD EDUCATIONAL REFORM. ONE OF THE DISTINGUISHING FEATURES OF RENAISSANCE ART WAS ITS DEVELOPMENT OF HIGHLY REALISTIC LINEAR PERSPECTIVE. THE UPHEAVALS OCCURRING IN THE ARTS AND HUMANITIES WERE MIRRORED BY A DYNAMIC PERIOD OF CHANGE IN THE SCIENCES.
2. GOTHIC ERA
· SCULPTURE DETAIL
· BUILDING AND STRUCTURE
· SO MUCH DETAIL IN THEIR ARTWORK
GOTHIC ARCHITECTURE WAS A MOVEMENT THAT CHANGED THE DESIGNS AND ARCHITECTURAL ENGINEERING OF BUILDINGS. IT ALLOWED ARCHITECTS TO CREATE BUILDINGS THAT WERE LARGER AND WITH THINNER WALLS, AND THAT ALSO HAS BEAUTIFUL DESIGNS. THE INTERNATIONAL GOTHIC STYLE EMERGED WHERE, GOTHIC ELEMENTS WERE COMBINED WITH THE ART OF ILLUSTRATION FROM ITALIAN PAINTERS. BEGINNING IN PARIS IN THE 1370S AND CONTINUING UNTIL ABOUT 1400 AT THE COURT OF JEAN DE FRANCE, DUC DE BERRY, THE MANUSCRIPT ILLUMINATORS OF THE INTERNATIONAL GOTHIC STYLE PROGRESSIVELY DEVELOPED THE SPATIAL DIMENSIONS OF THEIR ILLUSTRATIONS, UNTIL THE PICTURE BECAME A VERITABLE WINDOW OPENING ON AN ACTUAL WORLD. THIS PROCESS LED EVENTUALLY TO THE REALISTIC PAINTING OF JAB VAN EYCK AND THE NORTHERN RENAISSANCE AND AWAY FROM THE CONCEPTUAL POINT OF VIEW OF THE MIDDLE AGES. THUS, EVEN THOUGH THE INTERNATIONAL STYLE IS SOMETIMES DESCRIBED AS GOTHIC, IT STILL LIES BEYOND THE BOUNDARIES OF THE GOTHIC PERIOD ITSELF, WHICH BY DEFINITION IS ALSO MEDIEVAL.
· SCULPTURE DETAIL
· BUILDING AND STRUCTURE
· SO MUCH DETAIL IN THEIR ARTWORK
GOTHIC ARCHITECTURE WAS A MOVEMENT THAT CHANGED THE DESIGNS AND ARCHITECTURAL ENGINEERING OF BUILDINGS. IT ALLOWED ARCHITECTS TO CREATE BUILDINGS THAT WERE LARGER AND WITH THINNER WALLS, AND THAT ALSO HAS BEAUTIFUL DESIGNS. THE INTERNATIONAL GOTHIC STYLE EMERGED WHERE, GOTHIC ELEMENTS WERE COMBINED WITH THE ART OF ILLUSTRATION FROM ITALIAN PAINTERS. BEGINNING IN PARIS IN THE 1370S AND CONTINUING UNTIL ABOUT 1400 AT THE COURT OF JEAN DE FRANCE, DUC DE BERRY, THE MANUSCRIPT ILLUMINATORS OF THE INTERNATIONAL GOTHIC STYLE PROGRESSIVELY DEVELOPED THE SPATIAL DIMENSIONS OF THEIR ILLUSTRATIONS, UNTIL THE PICTURE BECAME A VERITABLE WINDOW OPENING ON AN ACTUAL WORLD. THIS PROCESS LED EVENTUALLY TO THE REALISTIC PAINTING OF JAB VAN EYCK AND THE NORTHERN RENAISSANCE AND AWAY FROM THE CONCEPTUAL POINT OF VIEW OF THE MIDDLE AGES. THUS, EVEN THOUGH THE INTERNATIONAL STYLE IS SOMETIMES DESCRIBED AS GOTHIC, IT STILL LIES BEYOND THE BOUNDARIES OF THE GOTHIC PERIOD ITSELF, WHICH BY DEFINITION IS ALSO MEDIEVAL.
CULTURE:
1. CHINESE
· THE SCULPTURE/POTTERY IS CAST WITH COMPLEX PATTERNED AND ZOOMORPHIC DECORATION BUT AVOID HUMAN FIGURE.
· CALLIGRAPHY, OR THE ART OF WRITING, WAS THE VISUAL ART FORM PRIZED ABOVE ALL OTHERS IN TRADITIONAL CHINA. THE GENRES OF PAINTING AND CALLIGRAPHY EMERGED SIMULTANEOUSLY, SHARING IDENTICAL TOOLS—NAMELY, BRUSH AND INK.
· GONGBI, MEANING METICULOUS USES HIGHLY DETAILED BRUSHSTROKES THAT DELIMITS DETAILS VERY PRECISELY.
· CHINESE BUILDING/STRUCTURES ARE VERY UNIQUE.
· LOTS OF PATTERN AND SHAPES
· PAINTING OF TRADITIONAL SYMBOL/IMAGES (BLOSSOM TREE, KOI FISH, LANDSCAPE, ANIMALS)
1. CHINESE
· THE SCULPTURE/POTTERY IS CAST WITH COMPLEX PATTERNED AND ZOOMORPHIC DECORATION BUT AVOID HUMAN FIGURE.
· CALLIGRAPHY, OR THE ART OF WRITING, WAS THE VISUAL ART FORM PRIZED ABOVE ALL OTHERS IN TRADITIONAL CHINA. THE GENRES OF PAINTING AND CALLIGRAPHY EMERGED SIMULTANEOUSLY, SHARING IDENTICAL TOOLS—NAMELY, BRUSH AND INK.
· GONGBI, MEANING METICULOUS USES HIGHLY DETAILED BRUSHSTROKES THAT DELIMITS DETAILS VERY PRECISELY.
· CHINESE BUILDING/STRUCTURES ARE VERY UNIQUE.
· LOTS OF PATTERN AND SHAPES
· PAINTING OF TRADITIONAL SYMBOL/IMAGES (BLOSSOM TREE, KOI FISH, LANDSCAPE, ANIMALS)
2. EGYPTIANS
· ANCIENT EGYPTIAN ART IS THE PAINTING, SCULPTURE, ARCHITECTURE AND OTHER ARTS PRODUCED BY THE CIVILIZATION OF ANCIENT EGYPT IN THE LOWER NILE VALLEY FROM ABOUT 1000 BCE TO 100 AD. ANCIENT EGYPTIAN ART REACHED A HIGH LEVEL IN PAINTING AND SCULPTURE, AND WAS BOTH HIGHLY STYLIZED AND SYMBOLIC. MUCH OF THE SURVIVING ART COMES FROM TOMBS AND MONUMENTS AND THUS THERE IS AN EMPHASIS ON LIFE AFTER DEATH AND THE PRESERVATION OF KNOWLEDGE OF THE PAST.
· ALL EGYPTIAN RELIEFS WERE NOT PAINTED, AND LESS PRESTIGIOUS WORKS IN TOMBS, TEMPLES AND PALACES WERE JUST PAINTED ON A FLAT SURFACE.
· ANCIENT EGYPTIAN ART IS THE PAINTING, SCULPTURE, ARCHITECTURE AND OTHER ARTS PRODUCED BY THE CIVILIZATION OF ANCIENT EGYPT IN THE LOWER NILE VALLEY FROM ABOUT 1000 BCE TO 100 AD. ANCIENT EGYPTIAN ART REACHED A HIGH LEVEL IN PAINTING AND SCULPTURE, AND WAS BOTH HIGHLY STYLIZED AND SYMBOLIC. MUCH OF THE SURVIVING ART COMES FROM TOMBS AND MONUMENTS AND THUS THERE IS AN EMPHASIS ON LIFE AFTER DEATH AND THE PRESERVATION OF KNOWLEDGE OF THE PAST.
· ALL EGYPTIAN RELIEFS WERE NOT PAINTED, AND LESS PRESTIGIOUS WORKS IN TOMBS, TEMPLES AND PALACES WERE JUST PAINTED ON A FLAT SURFACE.
